《大工斩玉》是由青藤玉舍、极映影业和术哲传媒联合出品的国内首部展现玉雕艺术的纪录电影。崔磊潜心治玉三十载，总结出琢玉十六法，造福后学者。他不仅是我国海派玉雕的佼佼者，也是国家级非物质文化遗产的传承人。通过崔磊“认”玉、“雕”玉、“玩”玉再到“创”玉的经历与感悟，近距离展现了国家级非物质文化遗产的技艺与传承人的喜怒哀乐，通过一件件艺术品的诞生，探秘玉雕传承人执玉人生的艺术脉络与传承故事，深入探索了中华文明独有的玉道。

作为海派最年轻的玉雕大师，崔磊潜心治玉三十载，总结出琢玉十六法，造福后学者。他不仅是我国海派玉雕的佼佼者，同时也是国家级非物质文化遗产的传承人。崔磊的创作敢于创新和表达，他的作品无论是艺术构思还是思想底蕴都是不可替代的。本片采用观察式纪录片的模式，通过崔磊“认”玉、“雕”玉、“玩”玉再到“创”玉的经历与感悟，近距离展现了国家级非物质文化遗产的技艺与传承人的喜怒哀乐，通过一件件艺术品的诞生，探秘玉雕传承人执玉人生的艺术脉络与传承故事，深入探索了中华文明独有的玉道。

围绕浪人和其息息相关人们的命运展开。 池松壮亮饰演有才华的浪人，苍井优扮演流浪的女子。

本系列节目将纪录全球最具野心和愿景的工程建筑案是如何展开的。藉由各式各样的档案以及高解析度、专业拍摄的影片，节目里将叙述每项工程落成背后的精彩、戏剧性、充满英雄胆识的故事。由主要设计师、工程师、专案经理及工地人员，来说明他们如何克服挑战，打造现代最高、最长、最快和最复杂的工程建筑案。

本剧讲述了屠户女樊长玉与落难侯爷谢征于风雪中宿命相逢，一个父母双亡要做女户主，一个隐姓埋名报复十七年前血仇，二人“各有目的”的演出了一场假婚真爱！利用变成真爱，真爱却带来了血腥战事，相爱之人被迫分离。樊长玉拿着杀猪刀上战场，寻亲寻夫寻正义；谢征恢复铁血侯爷，护国护爱护真相！两人终于战场重逢，并肩搏杀，不畏生死；揭破真相，不惧威权；回归家园，不忘初心！

该片以关注留守儿童的健康成长为切入点，讲述了牛角沟村的留守儿童一静、小宝、铁军、志豪、秀秀和他们的小伙伴们，在党和政府以及社会各界对“留守儿童”的关爱下，团结互助、自强自立、努力学习、快乐生活，为实现各自的愿望的精彩故事。

以厚重的历史事件为背景，以明英宗和历史上鲜得好评的锦衣卫指挥史袁彬为主人公，讲述大时代下君臣情谊的历史钜制。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)