Meet uptight, chain-smoking, heavy-drinking rat, Herman. He likes chess and loud music. Drawn to him, is an uptight, piano playing cat who is obsessed with clean living and classical music. How long can this uneasy alliance of chaos and conformity last? Not long it turns out, in this funny Estonian film about how we inevitably change the ones we love.

讲述一位名叫赫尔曼的男子常年蜷缩在一个只有6英尺宽9英尺高的小房子内，引发人们对人性与自由思考。戴威/文

This film follows the life story of Herman Hesse, winner of the Nobel Prize for literature in 1946. Hesse was born in Germany on July 2, 1877, and made a vow at the age of 13 that he would be "a poet or nothing". He lived in his adopted land of Switzerland from 1912, until his death in 1962. This deeply philosophic writer was a pacifist, and a student of Jungian psychology, Nietzsche, Dostoyevsky, Spengler, and the Buddhist belief system. His writings, such as "Siddhartha", "Steppenwolf", and "Demian", reflect those influences. These themes made Hesse enormously popular with the counter-culture in America in the late 1950"s and 60's. The film gives insight into events which shaped the character and works of this great author. ~ Rose of Sharon Winter, Rovi

平凡的上班族──政，被妖魔袭击时，天才女忍者──白津莉一身飒爽英姿出现拯救了他。可是白津莉放松时就会变成个尼特阿宅……政今天也用他的主夫技能，宠溺白津莉──

Ex.01 莫名在海滩上脸红心跳 　　Ex.02 莫名和前高等妖魔成了朋友

《无理的同居》是韩国MBC电视台的一档艺能节目。试播时为2017年1月27日播出第一、二部，2017年1月28日播出第三部。反响强烈之后正式编成。

巴尔曼的设计王子 OlivierRousteing : the Young Prince of Balmain

“妈妈，你也想恋爱吗？”本片是46岁的妈妈和23岁的女儿，同居、同乐的母女情感秘话。 　　“啊，真令人感到害羞。”妈妈正任(金清饰) 见躺在身旁的女儿佑真(赵允熙饰)睡熟，情不自禁地手淫起来，哪知，佑真其实是醒着的。趁妈妈急匆匆去厕所的间隙，佑真想：独守多年的妈妈的性生活完全丧失，的确挺艰难的，而自己随时都可以与男友享受愉快的性生活，她因此感到对妈妈有心疼和愧疚。于是，她在妈妈生日那天送了情趣用品给妈妈，后者得到“女儿特殊的礼物”惊慌失措的同时也对这份体贴的感情感动不已。正任遇上了20年不见的久违的初恋情人，不想再错失机会的她如同少女们兴奋地与佑真磋商自己的恋爱大计。另一边，佑真与心仪的美大雕刻系的毕业生秉石 (金东旭饰)顺利开始了恋爱，父母处于分居状态的秉石个性开朗乐天由于不满父母对自己的疏忽而离家出走，为了赚取生活费，他甚至可以去做兼职的牛郎！在女儿面前隐瞒了秘密的正任想与初恋情人偷偷离去，单纯的佑真无法接受秉石作为陷入矛盾的困境中的同时也意识到了妈妈的变化…… 　　爱?做爱?家人?她们最重要的事情是什么呢?想要变得幸福的她们接下来会怎么选择呢?

电视剧里的修仙者夏琦无意中通过时空来到现代，偶遇女主楠楠心生爱意，在“情感大师易半仙“的帮助下展开了追求。可楠楠却对从广告片里过来的西方魔法师…

This sixty-nine-minute documentary, shot by Sami Frey and edited by Agnès Ravez and Chantal Akerman, was made during the shooting of Jeanne Dielman and looks at the on-set relationship between Akerman, Delphine Seyrig, and the crew.